Artwork Detail

AT HOME: In the LAndscape

Artist: Moody, Dominique

Date: 2024

Medium: Wood pallets and found metal objects

County Department: Arts and Culture

Artwork Site: Gloria Molina Grand Park and Stoneview Nature Center

Current Status: Temporary work deinstalled

About the Artwork:

As an assemblage artist, Dominique Moody finds peculiar beauty in the city’s castoffs. Industrial salvage, shed belongings, and discarded items – often considered waste to many – possess hidden potential. In her piece AT HOME: In the LAndscape, Moody assembled reclaimed wood pallets, industrial metal vintage wheels, natural reeds, and an eclectic mix of found metal objects to form a mobile structure that seeks to express the deeper stories of how we individually and collectively think of home. The base of the piece reflects the diversity of LA by incorporating the word “home” in various languages. “Home dwells within us”, was a phrase the artist’s mom would tell her family as they moved from place to place — reassuring Moody and her siblings that wherever they resided, a sense of home went with them. Moody hopes that the structure’s simple silhouette will draw people’s attention to the surrounding landscape and spark dialogue and exchange about their own meanings of home.

Dominique Moody was commissioned by the LA County Department of Arts and Culture to create a temporary artwork as a member of the Public Artists in Development (PAiD) program’s Artist Council. This artwork took place at Stoneview Nature Center on September 7, 2024 from 9AM - 6PM and Gloria Molina Grand Park on September 13 and 14, 2024 from 8AM – 7PM.

About the Artist:

Born in 1950s Germany, the sixth of nine children in an African-American military family. My first conscious memory awakened my desire to tangibly harness the power of stories; our migration to the US gifted me perspective as I sensed the gravity of journeying into the unknown. While traversing the racial policies of redlined communities in Philadelphia, we transformed neglected houses out of necessity. I found objects with each move, intuitively knowing they were manifestations of memories with unique stories to tell.

Photos rarely survived our journey, so I recreated stories through drawing, silhouette, and collage. Although my portraiture and narrative illustration skills were refined through diverse education, I began to lose central sight in my 20s, which diminished color, detail, depth of field, and facial recognition. With my ability to render traditional portraits challenged, I experimented with assemblage art forms that required vision more than sight.

My lineage within the African Diaspora and the nomadic Fulani has expanded my concept of home, encompassing not only shelter, but a culturally rich way of life. Nomad - my mobile art dwelling - was conceived decades before confirmation of DNA; its evolution has defined my purpose as a Visual Griot Storyteller. Moving 46 times and traveling by road has enlightened me on being at home in the world while navigating the intersections of race, gender, disability, migration, and environment. These creative sojourns have strengthened bonds with family and community through resonating stories of my social practice.